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The Grammy Award for Best Disco Recording was an award presented at the 22nd Grammy Awards in 1980. The Grammy Awards, an annual ceremony that was established in 1958 and originally called the Gramophone Awards, are presented by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".〔(【引用サイトリンク】title=Overview )〕 Gloria Gaynor and producers Dino Fekaris and Freddie Perren won the Best Disco Recording award for the song "I Will Survive". However, because of a backlash against disco, the Academy discontinued the category before the 23rd Grammy Awards. In 1998, a similar category, Best Dance Recording, began being awarded to honor vocal or instrumental dance tracks, though there were concerns that the genre would be short-lived much like the disco category. ==Background== Disco is a genre of dance music that emerged in the United States during the 1970s. The experimental mixing of records combined with the newly acquired ability to play longer tracks resulted in a genre well-suited for dancing parties. During 1973–74, MFSB's "Love Is the Message" displayed "early rumblings of the disco sound", and shortly afterward emerged the songs "Never Can Say Goodbye" by Gloria Gaynor, "The Hustle" by Van McCoy, and "Love to Love You Baby" by Donna Summer.〔 In 1977, the opening of Studio 54 in Manhattan and the success of the film ''Saturday Night Fever'' (which featured John Travolta and music by the Bee Gees) added to the popularity of the disco genre. The following year, Paradise Garage opened in Manhattan's West Village, the New York radio station WKTU became "all-disco", and the number of discothèques in the nation reached nearly 20,000.〔 At the 21st Grammy Awards in 1979, ''Saturday Night Fever: The Original Movie Sound Track'', was named Album of the Year and the Bee Gees received the award for Best Pop Vocal Performance by a Duo or Group for their contributions to the soundtrack album.〔(【引用サイトリンク】title=Grammy Awards: Best Pop Vocal Performance by a Duo or Group )〕 By the end of 1979, the disco industry was estimated to be worth more than $4 billion, "more ... than the industries of movies, television or professional sport". However, the disco fad soon began to decline. On July 12, 1979, just a few months after ''Newsweek'' had reported on the "() over" of disco music, a "tongue-in-cheek" promotional event known as Disco Demolition Night was held at Chicago's Comiskey Park. During a doubleheader intermission, disc jockey Steve Dahl set ablaze a bin full of disco records, causing a riot within the stadium and gaining international attention.〔 Approximately 10,000 disco records were destroyed, and around 50,000 rioters participated in the event, staying on the field and forcing the Chicago White Sox to forfeit the second game. Nationally, a "backlash" took hold, as public support for disco music faded.〔〔(【引用サイトリンク】title="I Will Survive" wins the first—and last—Grammy ever awarded for Best Disco Recording )〕 According to author Craig Werner, as quoted in the British newspaper ''The Independent'', the "anti-disco movement represented an unholy alliance of funkateers and feminists, progressives and puritans, rockers and reactionaries. None the less, the attacks on disco gave respectable voice to the ugliest kinds of unacknowledged racism, sexism and homophobia."〔 By 1980 "mainstream disco" had ended, by 1985 WKTU had returned to playing rock music, and by the end of the decade the famous dance venues Studio 54, Paradise Garage and Clubhouse had all closed.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Grammy Award for Best Disco Recording」の詳細全文を読む スポンサード リンク
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